The director stresses: ‘We cannot choose a life without pain. But we can choose to be free, to free ourselves from the past, no matter what has happened to us, and to make the most of our potential.’
“I keep thinking, what would music tell us if it were a character? What time period would it be from? What would be its mood?”, says Agnė Matulevičiūtė.
„Consider the Lobster“ by Yana Ross at the Lithuanian National Drama Theatre.
Mantas Jančiauskas and Rimantas Ribačiauskas courageously follow a path which shows that an affective theatre happens not only on a stage with all the traditional props.
According to the designer, of utmost importance to her is “the alchemy that develops between the team members and between the stage and the audience hall, as well as the creative excitement, the intrigue”.
Despite all the criticism, it has to be said that when it comes to bringing out the best in actors, Oskaras Koršunovas is still one of the best professionals.
She is deeply interested in her generation’s attitude towards the environment, the country’s and the nation’s history, previous generations, and their influence on the current one.
A Lithuanian director’s research into the roots of the country’s theatre history: three examples of performances.
A Brief Comparison of the Current Directions at the Lithuanian National Drama Theatre and the State Youth Theatre.
