Director Gintaras Varnas dedicated his performance to the lost Jewish Vilnius. He supplemented the plot of the play with authentic stories of the Holocaust witnesses, both victims and executors.
Fragile, unpredictable theatre of Gintarė Radvilavičiūtė transfers us to an unexpected world that even the spectators who are best acquainted with the selected piece of literature could not have dreamt of.
Marija Baranauskaitė is the only live performer in the performance. She regards sofas as her audience.
One of Lithuania’s most renowned theatre directors has passed away on November 20. He died at the age of 65.
It would be rather complicated to say which play by Marius Ivaškevičius has had more favourable fortune. Some of them have been staged repeatedly and in various countries.
Gudmonaitė understands that she is different in certain ways, “For some time, I did feel imprisoned by stereotypes and was their victim.\\\"
According to Pukelytė, one of the main aims of the monograph is the reconstruction of the activities of Jewish theatre in interwar Lithuania.
Materia Magica LT will present Lithuanian professional theatres creating in the field of puppet, object, and visual theatre.
Both Lithuanian plays have great potential to establish themselves within the context of European theatre due to the relevance of their topics as well as the originality of their stage language.