According to Pukelytė, one of the main aims of the monograph is the reconstruction of the activities of Jewish theatre in interwar Lithuania.

Materia Magica LT will present Lithuanian professional theatres creating in the field of puppet, object, and visual theatre.

Both Lithuanian plays have great potential to establish themselves within the context of European theatre due to the relevance of their topics as well as the originality of their stage language.

This will be the seventh time already that Oskaras Koršunovas will be presenting his work to the audience of Avignon. Here he showed his first performances.

Oskaras Koršunovas, Gintaras Sodeika and Sigitas Parulskis attempted to once again apply absurd key to the state birthday celebration by attributing elements of dada genre and farce to opera.

The book is the Talmud, the Quran, and the collection of scientific insights. Every page supplements the gallery of meanings of the changing stage scenery.

Real people - the immigrants from the Middle East, Turkey, Afghanistan and Russia - step on the stage. Some of them are refugees, to whom the asylum in Lithuania meant freedom, the others are economic, love migrants, and students.

There are few people creating contemporary circus in Lithuania, so LDIC is keen on changing that.

After a break of 26 years, director Eimuntas Nekrošius returned to the Vilnius Youth Theatre, the theatre of his youth. His premiere [i]Zinc (Zn)[/i] is based on the books by Svetlana Alexievich, the laureate of the Nobel Prize.

I don't think it's an exaggeration to say that it's the best video work I've ever seen on stage.

I would have been quite interested to see what could have been achieved if there'd been a dramaturg and a discernible point.