Broad and non-binding metaphors, the beauty of compositions, dancers' bodies, execution’s precision and lightness - these are probably the main reasons behind the phenomenon of Papaioannou.
Since Polish theatre researcher Łukasz Drewniak is concerned about the lack of personalities, let us use this occasion to look at Lithuanian directors who are currently active.
The most favourable reviews of "Solaris 4" were by Lithuania’s younger generation of theatre specialists, whereas older critics were not taken in by the production’s utterances and its distance from Lem’s novel.
The repertoire of opera at the beginning of the 21st century starts demonstrating the balance between classical, traditional opera productions and original directing interpretations.
One of the most amazing occurrences in [i]Austerlitz[/i] – creators of the performance managed to shroud the Holocaust theme into the robe of the present day.
