Most respondents claimed that they appreciated the openness of the artist, and experienced no discomfort because of it.

Lithuanian contemporary dance has entered the mature stage of its youth, full of power, willingness, ambition and open possibilities.

The repertoire of opera at the beginning of the 21st century starts demonstrating the balance between classical, traditional opera productions and original directing interpretations.

Art critics of the Lithuanian stage unambiguously condemned the fact that our country’s national theatre collaborates with Fabre.