In autumn 2019, production company “Operomanija” presented a site-specific, documentary, and partially experiential piece - a sonic experience at the Vilna ghetto titled "The Filler".
In his plays, Juška proposes symbols and metaphors, preferring action over words, since an action embodies the modes and metaphors contained in the novel.
The Man of Fish by Eglė Švedkauskaitė is a piece by a young director that appears to have raised most interest among different generation critics in Lithuania in recent time.
_Modestas_Endriuska_2.jpg "A sonic experience at the Vilna ghetto titled")
